Second full length recording for "Jar O'Comfort" with Steve Sharratt in 1990 called "Scatter the Mud!".  Again done on the four track Fostex machine.  A lot of original tunes on this one.

 

I produced two other album projects using this machine, "Born Neath a Star"  for the "Eastern Kings Chorus", and "Stealing the Blarney" for Alan Molyneaux.

 

 


In December 1991, upgraded recording gear to 16 track. Tascam MSR-16S tape machine, mixing down to 2 track Tascam DA-30 DAT using a Tascam M-2516 mixing desk.  Added Beyerdynamic C740 microphone, 2 Yamaha SPX900 multi efx, DBX1 Compressor, BBE Sonic Maximizer, Tannoy Monitors, Yamaha monitor power amp, and Hardman baby grand piano.

 


Helped compile Prince Edward Island MUSIC Series songbooks Vol I and II in collaboration with Dale McNevin (illustrator) and Rollie MacKinnon (research).

I provided the music chords and melody notes.

Foreword for Vol I by Stompin Tom Connors.

Foreword for Vol II by Eric MacEwen.

 

 

 

 

 

 

 

photo here with Stompin Tom at the Vol I book launch in Charlottetown at "Johnny Reid's".

To Tom's left, Johnny Reid, Dale McNevin, Rollie MacKinnon

 


 

The studio with new gear was very busy over this period recording a few dozen projects, developing relationships with Island Artists and turning out good product.  Many were manufactured on cassette tapes, but more and more were on CD as well.

 


 

 

 

"Jar O'Comfort" was at its most creative with the addition of Margie Carmichael-Scotto, but disbanded in the spring of 1994.

 

 

 

 


 

A young (16 year old) Richard Wood was about to showcase at the 1995 East Coast Music Awards week in Sydney, Cape Breton.  I would call him up and ask if he needed a bass player... "yes" he said!  I picked up the old Fender Precision, and together with Skip Holmes on guitar and Kimberley Holmes on the keys, we played the showcase...

The beginnning of another journey!

 

 

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